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 This was a re-read. I’ve lost count how many times.

I come back to this book like a place I used to live — not because it’s perfect, but because it’s familiar in all the right ways. The smell of smoke in the air, the sound of shouting in the distance, the quiet absurdity of someone trying to explain logic to a world that doesn’t believe in it.


Discworld hasn’t found its shape yet here. It’s all edges — sudden shifts, sharp corners, jokes that land a little sideways. But I love that about it. I love that it stumbles through plot like Rincewind stumbles through danger: slightly reluctant, extremely flammable, and somehow still standing by the end.

It’s messy. It’s brilliant. It makes me laugh out loud, even when I know what’s coming.


✴️ Highlights:

  • Rincewind is still one of my favourite disasters in fiction.

  • The Luggage remains emotionally relatable.

  • There’s a paragraph about dragons and belief that I underlined the first time and still underline now.

  • I forgot how funny some of the throwaway footnotes are. I laughed into my tea. Twice.


🖋️ Why Not Five Stars?

Because it’s not quite there yet. Later Discworld books are sharper, kinder, deeper.
But this is where it begins. And sometimes I love beginnings most of all — especially when they don’t try to be perfect. Just possible.


It’s a book I reach for when I want to feel like myself again.
A reminder that the world is strange, and ridiculous, and sometimes exactly what it needs to be.

 

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